There is that word, that name, sitting there in the title, coming up before each ad break: Auschwitz. There had better be a good reason to invoke it. The Tattooist of Auschwitz is a drama that raises the question of whether fiction can ever be an appropriate response to the Holocaust; on this evidence, perhaps not. In 1942, a young Slovakian Jew named Lali (Jonah Hauer-King) is deported to the Auschwitz II-Birkenau extermination camp in Poland. He is soon given the task of tattooing serial numbers on to the arms of new arrivals – one of them is Gita (Anna...